My new year’s resolution for 2014 was a fairly complex one, but in essence it boiled down to two words:
…and it has felt like I’ve drawn a lot this year. Not as much as someone who doesn’t have a day-job and a child, of course, but a steady stream of stuff nonetheless.
Some of it I was pleased with. Some of it I was not – and I’ve learned to call that stuff part of the learning process, rather than a failure.
It was my husband’s birthday and I made him this card:
February first is Hourly Comics Day! I entered into the spirit of things, and tried not to care about putting out unpolished work – after all, that’s what it’s all about.
I’m quite looking forward to the next one already – and let’s face it, February is not usually…
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Some look at life’s journey as a pitched battle, and some as a noble quest. Either way, a smart knight should be prepared for the dragons he or she is bound to encounter along the way. My weapon of choice is a feather duster.
It has only snowed once so far this weird winter. I took advantage of the unlooked for boon of ice-free roads here in the country last week and went for a walk. My mood was somber as I set off down the road, well bundled against the bracing cold. I needed the lift that nature always gives me because I felt lower than I have felt in a long time.
I was thinking about my dear cousin, Moe. She’s experimenting with multiple chemo treatments, locked in mortal combat with the cancer that has spread despite her efforts. We recently learned that her…
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The following post is the first in a series of oceanic dispatches from Disorder member Charmaine Chua. She is currently on a 36-day journey on board a 100,000 ton Evergreen container ship starting in Los Angeles, going across the Pacific Ocean and ending in Taipei. Follow her ethnographic adventures with the tag ‘Slow Boat to China’.
“In civilizations without boats, dreams dry up, espionage takes the place of adventure, and the police take the place of pirates.”
There is uncanny beauty in the monstrous. This, at least, is the feeling that seizes me as I stand under the colossal Ever Cthulhu berthed in the Port of Los Angeles. The ship’s hull alone rises eight stories into the air; even from a distance, I am unable to capture its full length or height within a single camera frame. In describing the…
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Late last month, on the weekend before Christmas, I took a day in San Francisco, just to get out of Davis for a little while and sketch things on ground that slopes a bit. I didn’t have much of a plan beyond “go to the Ferry Building, have a cannoli, draw loads”. So I did. Here’s my sketch from the early morning Amtrak train, above. It’s not cheap, traveling the Amtrak, but it’s a lovely journey and you get free wifi.
So I got to the San Francisco Ferry Building, where they have the Saturday Farmer’s Market. I like getting here on a Saturday, and finding the little stall inside that sells Italian cannoli filled with chocolate, and sugary messy lemon-filled ‘bombolini’, little doughnuts. After cleaning my face I went outside to draw a panorama, which took about an hour and a quarter. Those sugary treats made me work…
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The life is a dream
Longtime reader Sarah asked in the comments on my post about Edith Pearlman if I could share my thoughts on how I skate the inevitable line of doing work for work sake and doing work to be seen. To which I say:
Oh boy–how much time do you have?
Every artist I know struggles with this dynamic–don’t you? Isn’t this at the very core of wanting a life in the arts? You have something to say and don’t you want someone to hear it/see it? This seems like a very simple idea, though we know it is not. The minute someone DOES hear/see/notice your work is when things get really FUNKY.
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